Tuesday, November 15, 2022

Author interview with Martin Featherston

AUTHOR INTERVIEW

 UPDATE 3/3/2023 - this post won a Most Popular Authors Award 

This month we’re meeting the very humorous Martin Featherston, and I have to say, he had me laughing from the start. I asked Martin to introduce himself.

‘Before belly-flopping into the deep end of the writing pool, I spent several excruciating decades in the business world. However, during that time, I did find great personal joy as a part-time lecturer at Montreal’s McGill University.  

Now, free from politically correct corporate-speak and the obligation to wear pants, I write short stories and fictional novels from my home in Canada.’ 

I don’t know about you, but I’m getting a very vivid picture of how Martin writes 😂 What did he teach, and why was it joyful?

‘I lectured to senior commerce and MBA students in International Business, focusing on Asian/North American corporate practices and culture.
All of my corporate experience has been with Japanese-owned companies. And I have spent a lot of time in Japan and China, and once, I flew over the Philippines – which, as far as I could tell, looked nice. I have much love for those Asian countries I visited and a deep understanding of their cultures.

The teaching process was delightful. The students were great, and we often stayed after class to discuss, debate, and tackle every global concern that haunts the planet. I’m happy to say we solved them all. Although… I’ve yet to see any of our solutions implemented. Which… now that I mention it, seems odd. Hmm, that does seem strange 🤣 He continues, ‘As a side note, about 50% of each class was of Asian descent. I’ll never forget watching these eager students scribble down notes while I droned on about their own culture. Surreal, to say the least.’

I can imagine! He was born in Rugby, England, but was ‘snatched from the crib and quickly immersed in all facets of British humour.’ He then spent his childhood looking for the meaning of life through a lens dominated by Goodies, Pythons and Galactic Hitchhikers. He readily admits that it should be no surprise that, as a grown man, his global perspective remains a tad bent! He continues,  
‘Unable to skate, I was considered an outcast in Canada and summarily banished to the small village of Elora, Ontario, where I’m outnumbered by cows. As such, I have embraced a dietary policy of ‘no red meat’ to pacify the more militant bovines in the neighbourhood. 

My hobbies include Amateur Radiology, Ardvarkian Philosophy and collecting pottery-based weapons.’

When I stop laughing,  I ask how easy it is to do amateur radiology, as I’d like to give it a go! He replies,
It’s a straightforward process once you finally get the machines up the stairs and installed in your spare bedroom - and secure a second job to cover the electric bills.’ 

A surprisingly creative process, radiology allows you to explore two extremes with the same machine. On one end, you can take very pretty pictures of the inner workings of clocks, cell phones, pacemakers, fish, the cat, Jehova’s Witnesses, and your own personal nether regions. And at the other extreme, you can heat up soup.’

😂  Have you any idea how difficult it is to think of sensible questions when youre processing these images! Comedy genius 😇

‘Nothing Sacred’ was published in 2022 and is Martin’s first book, although he has another two underway. It’s published in the Fictional Humour genre (no surprise there!) and is book one in the ‘Anywhen’ trilogy. As I’m not reviewing the book, I asked Martin for a synopsis:

‘Meet Earl Grey, a down-to-earth but down-on-his-luck small-time newspaper reporter. Earl’s a bit of an unreliable mess, albeit loveable, if absolutely necessary.
Much to Earl’s lack of surprise, he is suddenly assigned a story far worse than his typical day-to-day drudgery. Two days after the earth-shattering arrival of an alleged God in Phoenix, Arizona, in 2005, Earl is appointed as Media Liaison to this extremely ungodlike man. One who has been apparently working miracles after being discovered dressed in Armani in the Arizona desert.
With ‘God’ now restricted to a hospital room, Earl suddenly finds himself with exclusive access to the Almighty. And with great access comes great demand, as our less-than-intrepid reporter quickly discovers. Meeting a feast of both loveable and despicable characters - each one not entirely what they seem. But one thing’s certain, they all want something from this newly arrived God and plan to go through Earl to get it. However, Earl, a lifelong atheist and skeptic, has very different plans and sets about to uncover the true identity of this unusual man before His time on earth runs out.
Thrust into global celebrity and a massive mid-life course correction, it isn’t long before Earl is overwhelmed, paranoid, and plagued with crippling self-doubt. But, as usual, he’ll have to sort out the whole mess for himself. Hopefully, before the world comes to an end.’

Intrigued, I asked Martin for a tweetable extract of one of his favourite parts of the novel that you can tweet (tweet here)

Morning arrived, as it often does, all bright and frisky and annoyingly full of hope. Another day dawned on the wickedly slow pace of planetary evolution. The earth rotates one more time. The moon disappears, and the sun resumes sunning - cyclical blessings from the patron saint of second chances.’

I wondered what inspired him to write this story, as it seems quite removed from his corporate working life. Has he been a journalist, or did he have to research?   

‘This could be an agonizingly long answer. 

So I’ll just say… 42. 
Not kidding, really. 42, Douglas Adams’ answer to the meaning of life, the universe and everything from his Hitchhikers series. Mr. Adams changed my life. Perhaps saved it. 

As a youngster, I did not think like the others. I was not good at conforming. I drove my poor mother nuts with my anti-religious interrogations. And I adored science and philosophy. I seriously thought something was wrong with me (there probably is, but that’s another story). 

When I began to read Douglas’ works and watch Python and other British comedies of the time, I was changed. Perhaps I didn’t see it then, but my conversion was swift and absolute. I suddenly felt full of stuff I needed to say. The more I read or watched, the more I knew I needed to participate. 

My research? Over the years, I’ve read all the holy books cover to cover many times. I studied the comedy greats. I watched how they built a premise and then delivered the unexpected ending. The great John Cleese once said “great humour is not watching a person do something silly; it’s watching a bystander watching a person doing something silly.” I knew right away that if gut-splitting humour could come from graduates in history, philosophy and even divinity – my path was clear.’

It’s one thing to read works, but what inspired him to start writing?
‘An avid reader since boyhood. An academic father. Only child syndrome with a vivid imagination.’

If you’ve been writing for so long, what made you publish now?
‘One of my darkest character traits is pragmatism. As such, I moved towards a business career since it promised little chance of starving to death or being discovered in an opium den in Hanoi, overdosed on research.
But, in business, I always felt like a sell-out. I was good at it and rose to a high level, but it was unsatisfying and depressing. I swore that once I had enough money to live on, I would retire early and throw myself into completing the hundreds of storylines that permeated my stack of notepads. I started with short stories, of which I have hundreds. My intent was (and still is) to publish several books of short stories. But the Nothing Sacred concept would not yield to short storytelling. It persisted until I had written enough to produce two books. Thus, NS will ultimately be a trilogy with a fantastic climax, as we all like those.

As fate would have it, I happened upon a brilliant editor who lives in England and shares my odd sense of humour. We were and are perfectly pared. To ensure continuity, he will work on the following two books in the trilogy.

So that’s how this all came about. But, I am the type who would find something wrong with a winning lotto ticket. Thus, the N.S. books are not enough for me. I will try very hard to get this story onto the screen. I think the story and humour are ideal for a series (think Good Omens) or perhaps a movie (if I can get Selena Gomez to return my calls).’

And being a fan of series like Good Omens, I’m already planning how I can volunteer to be his P.A. when the call comes! He mentioned research, so does he complete a lot?

‘Research filled three notebooks years before I sat down to write this story. While travelling the world, I took copious notes about the fun and unusual characters I met along the way, plus intriguing facts about their countries and cultures. In addition, I researched the locations of every scene in the Nothing Sacred, right down to street names and native foliage.’

Whaaat? Three notebooks? How much was used, and what will he do with the rest?
‘There was a lot left over. Somebody should have told me to stop.
A great deal of situational humour was transferable to book two. Half of book two was written before I even sat down to contemplate. Right now, I’d say roughly 75% of book two is complete (pre-editorial dismemberment).’

So, having made the decision to write, what does he enjoy the most about the process?
‘The escape. Creation. Sending messages or thoughts I could not convey in any other medium.’

And what about the least?
‘Writing is easy. I have over 100 short stories (many planned for a compilation book), and my follow-up novel is almost ready for editing. Getting published is a nightmare. Torture. An exercise in both humility and self-abuse.’

Oh dear, I fear I’ve struck a nerve! What’s been so hard? Would it be easier with a traditional publisher?
Don’t get me started!!!!’ Oops! 
‘Ok, I’m resettled. A glass of bourbon and ice beside me in case there’s a flare-up.’ It sounds like I’m going to need some too! He continues,‘The book industry is a nightmare. On the one hand, you have FIVE mega publishers that control everything. And they have no interest in new authors (unless you’re Selena Gomez).

Then there’s the self-publish industry (a friend once called it the Sh*t Volcano). Thousands of books are published every day. Most are without editing, advice, decent covers or an actual story (think 50 shades).

I went in-between – a hybrid publisher. The main reason? I’m a writer, not an editor, typesetter, cover designer, or Kardashian. And I know enough to realize when I need specialized help.

I am happy with the final outcome. The hardback version is gorgeous. Beautifully typeset on brilliant paper. No regrets. But I learned a lot.

If a Trad Publisher came to me now for books two and three, I would probably pay attention. Despite the potential loss of my ownership rights, which goes with this option, the fact remains that all I want to do is write. And the post-publishing world for authors is now a full-time job of social media, advertising, shows, readings, events, and higher-quality opium dens in Hanoi.’

I love how Martin reverts back to humour, but he does make interesting points. So, on a lighter note, what does his daily writing routine look like? 
‘During writing season (Canadian winters), I begin my regiment every day after lunch. If the creativity isn’t there, I spend the day researching and building the story’s structure. If creativity abounds, I’ll write until the wee hours of the morning.’  

And does he read reviews of his books?  

‘Of course. So far, almost entirely 5-star positive - good for the ego. Some even offer critiques that are constructive and instructive. Nothing wrong with that. Writing is a lifelong learning process.’

Are there any scenes he found difficult to write? 

‘Any sex scene (so I avoided all). I am by no means a prude, but every time I tried to write a scene for my protagonist, it felt forced and out of place.’

I can’t blame him for that - nobody wants to win the annual ‘Bad Sex in Fiction Award!’ Some of his characters appear very different from him, so what’s the most difficult thing in writing them?
‘Empathy. I find writing about characters younger than myself easier since I can apply genuine empathy toward their condition. Writing about older characters, or those from different counties or cultures, requires far more research and a few good contacts to verify the authenticity.’


So, he’s done it now; his book’s in print - was it as he’d imagined all those years ago?
 

‘It was a wonderful moment. I held the book in my hand for quite some time. It felt right. But with it came anxiety. 

You see, N.S. ends in a bit of a cliffhanger. And since the feedback so far has been uniformly positive, there is now a need to complete the trilogy in a reasonable amount of time. Deadlines!!! Suddenly, this has become work. Albeit, the best job in the world.’

That sounds like a great problem to me! I ended the interview by asking if there was anything else he’d like to share with us?
‘I write humour, but I live in a constant state of bemusement with the world. If I didn’t laugh, I doubt I’d still be here. Of the many philosophies I live by, I can probably sum them all up with, “Life; it’s a bit silly when you really think about it.”’

Well said! After our chat, I know I’m going to read his book! If you’d like to find out more, please visit Martin’s author links below:


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Monday, November 14, 2022

This is what it's all about!

I just wanted to share  a lovely blog post with you, written by the fabulous Maximilian Sam today. 

I know some people shy away from social media (and rightly so when you hear of trolling and people hiding behind anonymity), but I have to say, my experience has been a community of like-minded people coming together to support one another, buying each others books and generally helping promote everyone's work, and Max is one of those generous souls who goes above and beyond (as demonstrated by all the awards he recently won - listed in the photo).

If you're not already following his blog, do take a look as he posts a wide range of topics, for example, his next one will be about the software tools he uses for putting his books together. Check out his latest article here or read our interview together here 

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Wednesday, November 9, 2022

Sneaky peek at interview with Martin Featherston

I consider myself so lucky to meet an amazing array of talented authors through this blog, but I have to admit to not expecting to laugh as much as I have with talented writer Martin Featherston.
 
If you've not read Martin's work before, he's given me a tweetable to introduce himself to you (tweet here)
 
'Martin is a writer of Humorous Fictional novels. He lives in Canada and credits his sardonic humour to a childhood spent Hitchhiking the Galaxy.'

Our interview will be live on the 15th November, where we discuss his book, Nothing Sacred, and his thoughts on life, the universe and everything! In the meantime, you can find out more by visiting the author's links below:
 

Note: I originally posted this with Martin's name spelled incorrectly - honestly, you can't get the staff 🤣 So apologies to Martin for the additional E at the end of your surname, now corrected!!


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Tuesday, November 1, 2022

Author interview Simon Van Der Velde/ Book review 'Backstories'

 

AUTHOR INTERVIEW

Update 04/03/23 this post won a Page Turner Award 
I've got a great book for you this month, written by the talented Simon Van Der Velde. 'Backstories' is a series of short stories where if you spot the clues, you can work out which celebrity features in each story, but before we get into that, let's meet Simon:
'I’ve dabbled with writing as far back as I remember, but as a kid I was persuaded that I had to ‘do something sensible’. Fast-forward twenty-five years or so to 2011, when I finally realised what I should be doing. I completed an M.A. in creative writing and really, never looked back.

Whilst I try to write every day, my family comes first, my wife and two tyrannical boys, and not forgetting Barney, the dog, who is a great help working through those knotty plot problems.'
 
I empathise with that doing 'something sensible' sentiment! Simon published 'Backstories' in 2021, and 'The Silent Brother' in 2022 and we're discussing Backstories, (Smoke & Mirrors Press), which is the first in a series. Simon explains,
'Backstories is a collection of short stories that span the divide between truth and fiction. Backstories II (historical) will be coming out soon, with Backstories III (Rock ‘n’ Roll) due for publication late next year and Backstories IV (True-ish Crime Backstories) slated for 2024.'
 
The book concept fascinated me, what inspired him to write it?
'It was originally inspired by a frustration with simplistic headlines that presented the world in black and white. Everyone is a hero or a villain, a genius or a fool. My aim, in Backstories, is to show that the very best and worst of us are flawed human beings – in all our diverse glory.'

With so many people to pick from, how did he choose?
'They're the people who interest me most. Primarily, the heroes and villains of my childhood - not that they were necessarily around in the 70's - but their aura was, in our house, at least. 
 
I grew up in the north of England, in a Jewish family, in the 1970s, which might give your readers some clues as to who I've chosen. I should also say that I choose people whose lives illustrate what I want to say - about racism, sexism and all forms of prejudice, whilst at the same time being aware that even the very worst of us are human beings, and there is more to be gained from understanding than from mere vilification.'

Only some are historical, so does it bring additional pressure for those that are still alive?
'Well, I'd prefer not to get sued' I giggle at that point, perhaps I shouldn't 😟, Simon continues, 'But there's pressure on all of them. Perhaps, if anything, there's more pressure with the bad guys - because I know I'm bound to offend some people, and I want to keep that to a minimum - without compromising my integrity.'
 
And talking of baddies, how easy were they to write?
'Part of my motivation in writing Backstories is to get away from lazy, black and white judgments - especially in these vitriolic social media times - and to see that the truth of any human being will always be nuanced. 

My stories generally go back to my characters' formative years, before their path was set - when the line between victims and perpetrators was at its thinnest, (and so yes, I feel for them at that time in their lives - very deliberately divorcing myself from what may happen in their future).  
 
Really, I'd say all abusers begin their journey as victims. That's what I believe, and what I want to invite my readers to think about. The Backstories format is perfect for this, because you meet them afresh - before you know the characters' names, and so will hopefully come away with a different perspective.'
 
That's an interesting point. He continues,
'That said, I definitely do, (occasionally), offend people. Whilst most people enjoy the moral challenge of Backstories, I do have a little collection of powerfully negative reviews from people who simply do not want to be challenged. I guess that’s just the way it is – especially in these days of social media, where it seems like everyone talks and few people listen…'

Why are part of the book's sale proceeds being donated to charity?
'I am proud to be giving 30% of all profits from Backstories to Stop Hate UK, The North East Autism Society and Friends of the Earth.  Of course there are many worthy charities, but as anyone who reads Backstories will see, these are the causes that resonate most deeply with me.
 
I really, deeply hate prejudice and bigotry of any kind, it is so pointlessly destructive.  Which isn’t to say that think I’m perfect, not by any means.  I guess we’re all a product of our childhoods, and we don’t have too much say in those.  But what we can do is challenge ourselves to be the best we can.'
 
Hear, hear! to challenging ourselves! Simon continues,
'Stop Hate UK came out of the murder of Stephen Lawrence and is an organization that stands against all kinds of hate crime and prejudice.  Their focus on education is something that particularly appeals to me – and I hope it is an idea that Backstories can develop, by taking the reader into the minds of these diverse characters and showing you that whilst we’re not all the same, in our fears and doubts, dreams and ambitions, we are all flawed human beings.
 
In all honesty, I should also admit to an element of guilt.  There are criminals amongst the characters in my book, and whilst crime may be compelling on page, it is anything but, in real life - and giving to Stop Hate UK is, I believe, a meaningful way to show respect for the victims and their families.'
 
I have to admit, I admire Simon for tackling what could be a thorny issue in this way! He continues,
'In writing about crime and prejudice I am holding evil up to the light, but I’m also making fiction out of suffering.  In doing so, I hope to contribute in some small way to human understanding and do my part in reducing such behaviour – but I’m not holding my breath.  
 
In the meantime, it feels right and decent to give to people who best know how to help those who need it most and in so doing, help to build a better, fairer more decent society for us all.'
 
And what about his second charity?
'The North-East Autism Society is more personal.  My son is autistic.  That’s why I feel I have to give voice to a group of people who are so badly misunderstood. 
 
The point is, autistic people’s brains work differently to ours – which means two things:

Autistic people’s difference of approach and intensity can bring something new and fresh to society, to the benefit of us all.  Bill Gates, for example, is autistic, Greta Thunberg, Daryl Hannah, Albert Einstein, Anthony Hopkins and probably Leonardo da Vinci, amongst many, many others – and I hardly need tell you how much they have given us.
 
Clearly, autistic people enrich our lives, but – because they are different, autistic people can sometimes find our chaotic world so stressful that they just can’t function, and all that potential can so easily be lost.  So, if only for self-interest, we need to understand and listen to the autistic community.  Not least, Greta Thunberg.'
 
Well said! Simon continues,
'Which brings me to my third charity, Friends of the Earth, because whatever Donald Trump may say, without the Earth, obviously, nothing else matters.' 

I usually ask authors how they name their characters but this time I had to ask how Simon tackles not naming his characters?
'My problem is how best to hide or disguise the characters’ names, whilst drip-feeding you clues throughout the story. I might very well use a real or fictional nickname, to give you a clue.'
 
So onto his writing journey and what does he enjoy the most and least about writing? 
'I find the research interesting and rewarding, but what I really love is the chance to close the door on life and immerse myself in the world of my characters. I want to feel what they feel, and act with them in accordance with their passions.

I’m only happy if I feel I’m reaching the emotional truth of my characters. In practice, that means an awful lot gets thrown away. That’s tough, but when it works, it’s wonderful. The end result is that less work goes out into the world, but what does get out there does my characters and my readers justice. As for publication, argghh! A whole new world I have yet to understand.'

You throw a lot away? Yikes! I'm assuming that means research ends up in the bin?
'It's not so much that I throw research away, as whole stories - if they're not quite working. I want to give my readers the best I can.' 
 
Wow, admirable! Simon adds,
'Research is important. I need to do enough, until I see the way in to both my character and the story. Sometimes that means doing a lot. The thing I then need to remember is NOT to use it all. My aim is to give you just enough to make the story real and vivid.'
 
As he takes so much effort on choosing his stories, what does he feel about reviews?
'I read them. Maybe I shouldn’t, but I do. Of course, I love the good ones. It’s such a pleasure to feel understood, and luckily for me, most readers are decent generous people. But, there are some people who will, for whatever reason, dislike my work. 
 
Certainly, my aim, (in Backstories in particular), is to challenge your moral compass, and there are some people, (more in the last decade or so), who don’t want to be challenged. They just want books, (and media), that echo what they already think. In the end, everyone’s entitled to their opinion, and I need to remind myself that I will absolutely never please everyone. That isn’t my job. My job is to present my truth, as I see it, as entertainingly as possible.'

If Simon could go back in time, what would he tell his younger writing self?
'Be concise. Be honest. Have fun. Be patient. Don’t believe everything they tell you. Yes, it’s about your personal truth, but there are still techniques to be learned. Sign up for a Creative Writing M.A. now.'

Why does he wish he'd studied earlier?
'The MA was great. It helped me develop the skills to say what I wanted to say. Meeting other serious writers was such a pleasure. The whole experience was so validating, showing me that being a professional writer was a valid and attainable goal, as well as giving me some insight as to how the publishing industry works.'
 
Does Simon have a favourite novel? 
'Off the top of my head – Colson Whitehead’s Underground Railroad. It is powerful and shocking, but never overstated. Just as in my writing, I like to be FULLY engaged - and right from the start, Cora’s story drew me in and held me tight. I was pretty much terrified from start to finish – yet in spite of all that high speed tension, Cora was a beautifully developed character it was easy to fall in love with – and at the end of it all there was a truth and a resonance to this important story that allowed me to leave the book a little wiser than I was before.'

Another book for my TBR list then! As we were finishing up, I asked if there was anything else he'd like to say?
'It’s a strange business writing and reading, a game that requires commitment and understanding from both sides. More than a game. Really, what we’re doing here is sharing moments of intense intimacy with total strangers. So thank you, not just for reading, but for reading with a keen mind and an open-heart. Without you, my work would be nothing.

Ps. Whilst I largely read before bed, in the case of Backstories – I’ve been told that it’s very much a ‘keep-you-awake’, day-time read. Please – let me know if you agree.' (via his social media links below)

'As well as thanking my readers, I’d like to thank all the writers of all the books I’ve ever read. I genuinely believe that every one of them, (well, almost), has added something to my understanding of the world and the people in it. Surely, if everyone read more fiction, if they entered the minds of people different from themselves every day, we would have less hatred, less self-righteous bigotry, less shouting and more listening, and truly, a better world?'

What a lovely way to end our interview! I asked Simon for a tweetable synopsis of his book and he said (tweet here)

Backstories – the ‘stand-out most original book of the year’ will show you your heroes, (and villains), as you’ve never seen them before.
 
And a tweetable extract - can you guess who it is? (tweet here)
The Guitar - No doubt about it, he was a bright kid, talented even. He was quick on his feet and with his mouth too, and he could smack a baseball out of the park. But he was a Jew, and he was short…

BOOK REVIEW

This book is a gold medal winner so I was expecting something special and I wasn't disappointed. It's a collection of short stories, each one about a celebrity. Some are currently in the news, others are long dead, and it ranges from pop stars to murderers, so you have no idea where each one is leading, but that's the fun. You're looking for clues, trying to work out who they are, which is a brilliant combination of fiction, non-fiction and puzzle-solving. 

People are never named but I managed to work them all out (but I admit having to check the internet for one, and then kicking myself when I saw just how many clues I'd missed!). However, young adults might struggle with some of the famous/ infamous characters but as Simon is a similar age to me, I was in my comfort zone!

Simon has a lovely writing style, very easy to read and a great balance between action and description. Each story is written from the perspective of the person you're trying to guess and they are set in the UK and USA. Here's an extract from 'The Big Attraction':
'The knock comes, three separate sounds echoing down through my stomach. I stop where I stand with one foot on the kitchen lino and the other in the lobby. My hand clutches the fake pearls at my throat. They've come for me. I know it before the door opens. I know it from the terror and the guilt, and the relief.'

Who wouldn't want to read more! I found it tricky to put down as all 14 stories are short enough that you can read just one more before sleeping, but I've heard black bags under the eyes are in fashion this year so I'm on trend 🤣🤣

It does make you think about the people featured and the reasons why they've taken their famous paths, and I enjoyed that immensely. 

I would recommend this book to anyone who enjoys a fun read, especially if you enjoy real facts splattered amongst fiction. It was the puzzle element that really hooked me and I definitely want to read the future editions of Backstories - I can't wait!

Find out more by visiting the author's links below:

Buy at: https://amzn.to/3j8D2Hp

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