Tuesday, January 23, 2024

Sneaky peek at interview with Bethany Bauerle

  

My next author interview is with Bethany Bauerle who writes fantasy books for Middle Grade & Young Adults. She is in the middle of setting up MindGarden Books, which will be dedicated to creating stories with neurodiverse characters, and stories that teach children of all age groups about kindness, empathy, acceptance, and the joy of reading! She will also be looking for fellow indie authors when it becomes a publishing company.

It's a fascinating story and our interview goes live on the 1st February. In the meantime, you can follow her links below:

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Monday, January 15, 2024

Author interview with Kacey Kells

My first author interview of 2024 is with the amazing Kacey Kells and I have to admit, she's blown me away! Her non-fiction books focus on women and her reason for writing is both heartbreaking and inspirational, so let's meet her:

'I am 29. I was born and raised in Victoria BC, Canada; I moved to London (with my mom) when I was 17, then I lived 2 years in Paris, and I’m now living with my fiancé in Cannes.

I finished my degrees in London and Paris, and wrote two books.
I’m a feminist, and I firmly believe that a society cannot achieve all its potential if it discriminates women and girls or doesn’t give them equal opportunities!'

Her two books are:

“Kellcey”, a memoir and a book committed to denounce rape culture and abuses against women and girls. It was traditionally published in 2017, becoming an indie publication in 2020 (and we'll go more into that later!)
 

“(His)Story of Women: The ‘second’ Sex?” investigates the origins and consequences of the objectification of women to further explain the importance of the empowerment of women. It was indie published in 2022.

Kacey has created a tweetable for you below (tweet here):

Books women were waiting for! ‘Kellcey’ and ‘(His)Story of Women’ are two amazing books, each different in their approach, but chronicling the plight of women and their subjugation and inequality through time, championing Women’s Rights and Equal Rights for Women

The eagle-eyed amongst you will have noticed that "Kellcey" is a memoir and tackles the difficult subject of rape. It doesn't take much to join the dots here and my heart broke for Kacey. I imagine most people would hide away rather than publishing a book about such an intensely personal tragedy - what made her take this route?

'Initially, I didn’t mean to become a writer. After I got raped, we (Mom and I) moved from Victoria to London. I felt my life was shattered; I was like trapped in bubble, completely unable to communicate. I was diagnosed with a PTSD. 

One day, my counsellor told me that, if I refused to speak, I could try to write something like a personal diary and explain what I was unable to express orally. I started and…. everything came easily! Then she asked permission to read it, and I agreed. 

Soon she and my mom tried to convince me to edit my diary and publish it. I didn’t want anyone to know that I was this girl who had been raped and humiliated; but they argued that this could be helpful to other victims, and it could also help people understand what it is to be a victim and the aftermath of a rape. A close relative contacted Olympia Publishers in London, and they published it in November 2017.'

I find this extraordinary! Being her own story, how difficult did she find it to write?

'The characters in the book are real people, mostly relatives, but it was way more difficult when it came to writing about those who sexually abused me. It was hard to find the words… sometimes, I had to stop because it was too hard.'

I have nothing but praise for this incredible young lady. I don't know if you've seen Kacey on Twitter/ X, but she's one of the most upbeat people there, full of fun and life - what an outstanding transformation. 

I assume she read the reviews, so what reaction did she receive from readers and who is reading her work?

'Yes I do read the reviews! Fortunately, the vast majority are extremely satisfying. Of course, it’s extremely pleasant and rewarding to read such reviews. If they are not entirely positive, it hurts me, but I know that it’s part of the game.

Among the readers who gave me their feedback, those who alleged having been victim of sexual aggression told me that reading "Kellcey" had been helpful for them and that they identified themselves with the main character. That’s exactly what I wanted!

Other readers are always extremely supportive, and I’m left with the impression that my second objective is met: to help people -women and men- better understand that committing rape is not a petty crime, and that the consequences for the victims are extremely severe.

As far as I know my readership is women, who feel more concerned with the issues analysed in my books, but male readers enjoy reading them too and have given me positive feedback.

"Kellcey" reads as a novel. “(His)Story of women”, in spite of its academic character, was written to be accessible to everyone and this should not be a barrier to readers.'

What can she tell us about (His)Story of Women?

'The story is different. This book investigates the origins and consequences of the objectification of women to further explain the importance of the empowerment of women. It’s a book I HAD TO write and publish, to explain what the conditions of women and girls are and were, and how such historical discriminations penalize (not only females but) society! 

It starts with an academic study of the evolution of gender roles since the first Neolithic societies until today, and includes a huge variety of analysis and references to Anthropology, Genetics, History and Sociology.'

It sounds amazing! Did she enjoy researching it or did she just get angrier the more she found out (I imagine I would!)?

'I sincerely enjoyed the process of researching my topic! It’s probably what I do the best. 

Regarding the status of women and girls throughout history, and their absolute objectification and victimization, it is indeed frustrating to see how they (we) have been treated since the late Neolithic. But it’s not surprising!

However, there were several things which were extremely positive and gave a radically different perception of what and who females really are: 

History and anthropology show that in pre-agricultural societies, gender parity is a fact; and comparative primatology shows that, among the non-human primate communities, many are matriarchal. 

Genetics and the study of the X and Y chromosomes proves that the X is both stronger and far more complex than the tiny Y, whose only use is to help males to get their sexual attributes. Hence the X, or feminine principle, is obviously superior to the Y!'

(I'm giggling here, as I'm sure some readers will have something to say about that 😁) She continues,

'The Feminist theories in International Relations insist on the fact that, since females are less aggressive and more altruistic than males, empowering women would help alleviate international tensions and contribute to achieve better governance.

To sum up, we could say that patriarchal supremacy is not scientifically founded and that past societies suffered because of a lack of gender balance and equity. Hence, empowering women is the only option to cope with the ever more complex stakes posed by the future global society.'

Can she give us an extract?

“A balanced and strong society cannot treat girls and women as a weak link; rather, it must see them as a full part of the community. A society cannot achieve all its potential if such discriminations remain.”

Hear, hear! And how long did her books take to write?

'Writing “Kellcey” took less than four months.
It took nearly a year to write (+ research) “(His)Story of Women”'

And does she have any plans to write more?

'It’s not clear, yet. I’d love to write a novel, but I’m not sure I can! It requires such skills and power of imagination… But I have so many things to say, especially about the conditions of women and girls throughout time… 

Sometimes, I dream I could write a science fiction or fantasy book about women in a future civilization that, in certain ways, would look like ancient Greece and Rome…with modern technologies, of course…'

This sounds brilliant, she needs to write it!

'For the moment, I don’t feel ready or capable to start writing such a novel; I need time to develop a scenario, to organise a coherent story line.'

Oh, she's so very wise for her years! She continues,

'Books are part of my life, but I feel I’m more a reader than a writer (even if I have to write papers, etc for the university).  

Writing is like the natural extension of reading, and a way to express myself. But it seems that I cannot write only to write. I need clear ideas, I need to know what I’m going to say, where I’m going to. 

With “Kellcey”, things came naturally, but “(His)Story of Women” required much more research and writing work. As a consequence, I have a weird feeling of emptiness when I’m in between writing processes.'

I can understand that. She admitted that she loves working as a University Research and Teaching Assistant, which keeps her busy, but as an established writer, what advice would she give to aspiring writers?

'Do not hesitate! Do it! Start writing; it’s a wonderful and inspiring experience!'

I love her enthusiasm! Does she have a daily writing routine now these books are finished? 

'I don’t. My two books came from two different psychological dynamics and motivations. “Kellcey” came naturally and fast because it was about memories and feelings, something very personal and powerful. It was also a way to heal… and it helped. 

“(His)Story of Women” was made in parallel with my work as a student in university and required extensive academic research. It was hence longer to write than my first book. But I really enjoyed the experience!'

What does she consider the hardest part of writing/ getting published?

'Everything came easily and naturally. However, I was disappointed by my publisher; it’s why I decided to republish my first book as an indie when the contract ended. I’m really satisfied with Amazon KDP, both in paperback version and kindle.'

Why didn't traditional publishing didn't work for her? 

'I wouldn’t like to generalise! There are certainly examples of extremely supportive publishers. I was of course initially extremely grateful that they accepted to publish my book; and honestly, they did a good job and I was thrilled when I saw it for the first time! 

Disappointment came later, when I realised their total inefficiency to promote the book. I had to do it all by myself and started using social media to promote "Kellcey". 

When the contract ended, I decided to go on independently, now with Amazon to publish the paperback and Kindle versions. I was so satisfied that I renewed the experience with my second book! The advantages are obvious: freedom, control over operations and decisions, consistency.'

And what does she enjoy the most about writing?

'I like the calm and intellectual endeavour generated by writing and research. I love the passionate feelings that empower me when I’m writing. It makes me feel fully alive! But, first and foremost, writing is a unique opportunity to express my ideas, my feelings, my convictions. Writing is the best way for me to speak since for some reasons I generally feel uncomfortable when the time comes for me to speak (sometimes, I’m like paralysed, speechless…).'

Wow, that surprises me, but talking about her convictions, I’ve seen her tweeting a lot about climate change/ biodiversity – why is this important to her and how involved is she in the cause?
 
'I am a human being, and as such my existence depends on the quality of the surrounding natural environment. I am, we all are part of it. We are elements of a system, and everything that might affect this system will have consequences on our lives. 

Preserving Nature and the ecological systems isn’t an ideology, but an absolute necessity for every form of life on Earth.
As a woman, I will one day become a mother, and I want my future children and their descendants to live a normal and happy life; and this won’t be if we destroy the environment. It is as simple as that! Women Empowerment, Human Rights, and Preserving the Planet are different sides of the same coin!
But there is more to it. 

Biodiversity is a gift, an extremely precious treasure made of beauty and wonders. We do not own these beauties and wonders; but we need them. We have no right to destroy thoughtlessly any form of life, any species, or the whole planet. It’s not just about self-interest, it’s about ethics, too!'
 
Well said Kacey! Human rights also feature in many of her posts - is this another passion?

'How can I promote Women’s Rights if I do not care about Human Rights? It’s the same reality, the same logic. And it’s not just about ethics: promoting Human Rights and Women’s Rights are essential to free every skill, to stimulate innovation, which is required to address the challenges posed by modern society and globalisation. We are stronger and wiser together. Exclusion and marginalisation are not only sins; they are counterproductive evils! Equal access to education and equal opportunities are essential! If the Global World is a “global village”, we all are members of the same community and need to work, live and thrive together!'

What an inspirational lady - I feel our world would be far better off with more Kacey's in it! You can find out more about her and her books by following the links below:

Website: https://kaceykells.wixsite.com/kellcey
Twitter:  https://twitter.com/KaceyKells
Facebook:  https://www.facebook.com/kacey.kells
Instagram: https://www.instagram.com/kaceykells/

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Sunday, January 7, 2024

Sneaky peek at interview with Kacey Kells

 
I'm delighted to advise that my next author interview is with the amazing Kacey Kells. Following on from a terrible trauma, Kacey took the decision to help others who have ben subjected to the same ordeal. It's an inspirational story and one that really moved me.
 
She's also passionate about women's rights, tackling climate change and so much more. It's a jam-packed interview and it'll be live here on the 15th January. 
 
To find out more about this talented author, please following the links below:

Website: https://kaceykells.wixsite.com/kellcey
Twitter:  https://twitter.com/KaceyKells
Facebook:  https://www.facebook.com/kacey.kells
Instagram: https://www.instagram.com/kaceykells/

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Saturday, December 23, 2023

Season's Greetings!

 🎄🎅 HAPPY CHRISTMAS TO YOU AND YOURS!🎄🎅

I just wanted to say a big thank you to everyone who has helped make this year so special at Tweetables. 

Firstly there are the authors who have given me such wonderful interviews, and then there's you, the wonderful readers who have supported these authors and bought their books or followed them online. You have so much power and I know how much the writers appreciate your support, so please keep on doing what you're doing - you're amazing!

So thank you and please keep buying books and supporting wonderful authors! Click onto this link to see everyone who has featured on the blog so far, and I'm looking forward to more of the same in 2024! Have a great one 🥳🎉🍾

Friday, December 15, 2023

Author interview with Jane Jesmond

My next author interview is with the talented Jane Jesmond who has penned four novels in the genres of crime, mystery and thriller, so let's meet her:

'I have lived in France for the last 33 years, currently in Finistère (the end of the earth). I used to work in the events industry but am now semi retired splitting my time between writing, travelling and local life. I have the obligatory cat and a husband.'

I love the visual 😁 She's traditionally published, her first book launching in 2021. According to the Sunday Times, she is (tweet here) "an original voice in crime fiction" - what an accolade! Then this week (13th December) The Times reviewed her latest book, 'A Quiet Contagion' and said it was 'one of the best thrillers of the month' - I think that makes her writing royalty!

What inspired her to become a writer? 

'I've always loved reading. I was one of those people who thought they could write a book if they had time. Decades later, I finally did have time and my mother's death made me realise life doesn't go on for ever, so I took the plunge and discovered how much I loved writing...'

I do think the best writers are keen readers first but I am sorry it took the passing of her mum for her to take the leap, that's tough. 

What does she consider the best money she's ever spent as a writer? 

'The self-edit course run by Debi Alper ((Jericho Writers). It taught me the foundations of how to write.'

And does Jane have a daily writing routine? 

'It does depend a little what stage of a book I'm at but, by and large, I get up, make a large cup of tea and head upstairs to my writing eyrie, take a brief look at the sea and then start writing, only descending from time to time to make more tea until lunch. If I'm first drafting, I'll stop at that point. If I'm writing further drafts or editing, I might carry on during the afternoon.'

Oohh, my imagination is in overload, I'm pretty sure I need a writing eyrie! Does it help her to write?

'We live in the North-Western tip of France and the influence of the sea is everywhere. That certainly made itself felt in the first two books of my Jen Shaw series. 'On the Edge' starts off with Jen Shaw hanging off a lighthouse in the middle of a storm and 'Cut Adrift' features a dramatic escape in a smuggler’s boat. But I think it is the way in which the view is different every morning that most makes itself felt in my writing. 

On a day like today, thick cloud and rain obscures the view and the sea is a grey/white void whereas yesterday the low winter sun picked out the dull greenness of the water and the ruddy brown of the winter bracken. 

Setting is very important to me as a writer. As important as character and plot. The three of them weave in and out of each other to create the story. What I also love about the view is that, apart from the occasional boat on the sea, it is empty of people. I like the feeling of solitude and quiet when I’m writing. I’m not someone who can write in a coffee shop surrounded by people.' 

Oh my, I would love a writing hidey hole like that! What does Jane enjoy the most about writing? 

'I don't think there's anything I don't enjoy. Coming up with the initial ideas and first drafting is always a bit of a roller-coaster and I have good days and bad days. If I had to pick a favourite moment, it's when I know the characters have started to come to life.'

And what's the hardest part? 

'Dealing with imposter syndrome. There's always a little voice whispering in my ear that what I'm writing is utter rubbish.'

Wow, and with such high-profile reviewers liking her work too? It just goes to show this feeling never leaves you, no matter how much success you've achieved! Do reader reviews help her overcome this? 

'I do skim read reviews. Strangely, given how much I suffer from imposter syndrome, I don't mind the bad ones. I really do understand that not everyone will enjoy my books or any writer's books. I love the good ones when they pick up on something I tried very hard to achieve. It's that moment of communication!'

Very true. What does she find the most difficult thing about writing characters who are very different from herself? 

'The hardest part is avoiding cliches. I think you have to find a point of commonality between yourself and the character to be able to write them and to explore the ways in which they are different to you and unique in themselves.'

Interesting, because she writes in crime, a genre that (I guess) lends itself to more cliched characters than most - did she work in this field before retiring?

'I don’t have a ‘crime’ background at all unless enjoying reading crime fiction counts. However I have avoided writing anything with a police-procedural format. There’s plenty of opportunity to write and solve crime in fiction without involving the police and, in fact, I rather enjoy seeing the problems my amateur sleuths face as they try to solve mysteries and escape danger without the power and expertise and back-up of the police force behind them. 

Phiney and her step-grandmother, Dora, the main investigators in A Quiet Contagion, are the most unlikely pair of detectives. Although I’ve avoided having to learn too much about police procedures, that’s not because I don’t enjoy research. I love it. Researching the 1950s generally and specifically in Coventry was hugely interesting for A Quiet Contagion. I started off with very little idea as what the setting for this novel would be and by following where the research led me ended up with the pharmaceutical industry and the 195 Coventry Polio Epidemic.'

Okay, this sounds fascinating - we need to talk about 'A Quiet Contagion'! Can she give us a short synopsis?

'Yes, it's an unsettling contemporary mystery with a historical twist and fast-paced plot. Six decades. Seven people. One unspeakable secret.

1957. A catastrophe occurs at the pharmaceutical lab in Coventry where sixteen-year-old Wilf is working for the summer. A catastrophe that needs to be covered up at all costs.

2017. Phiney is shocked by the death of her grandfather, Wilf, who has jumped from a railway bridge at a Coventry station. Journalist Mat Torrington is the only witness.

Left in utter disbelief, with a swarm of unanswered questions, Phiney, Mat and Wilf's wife, Dora, begin their own enquiries into Wilf's death. It is soon clear that these two events, sixty years apart, are connected - and that Wilf is not the only casualty.
But what is the link? And can they find out before any more lives are lost?'

Oh wow, I love it! I asked for a tweetable version (tweet here):

'A book with a secret at its heart. A secret kept by 7 people who worked at the same pharmaceutical lab in 1957. Some have gone on to success but others have suffered. 60 years later, one of them wants to tell all... with fatal consequences.'

She mentioned undertaking research, what's her process and where did it take her for this novel?

'I research all the time when I'm writing - before and during. I did a lot for this book looking at: the pharmaceutical industry and its early development; medical research; the polio story, Coventry in the 1950s; the 1957 Coventry Polio Epidemic; breast cancer; journalism; assistance dogs.'

That seems a lot to me, but it always adds authenticity to a story when a novelist has put in this level of research - my hat goes off to her. Can she give us a quick extract?

'Illness runs through my family like a pulled thread puckering its fabric and leaving a line of holes behind it.'

That's powerful, I need to know more! Which scene did she find the hardest to write? 

'The very last scene was the hardest to write because I couldn't decide how to end it. Or to be 100% accurate, I couldn't work out what Phiney, the protagonist, would decide. I tried every possible way at least once but if you want to know what I finally decided, you'll have to read it!'

I do love a tease! Crime often attracts series-writing, so is this something Jane has considered, or does she prefer a clean slate and the fun of starting from scratch again? 

''A Quiet Contagion' isn’t part of a series and I have no plans, much as I love the characters, to make it into one. 'On The Edge' and 'Cut Adrift', however, are the first two books in a series and I am currently writing the third, which will be published next year. 

So the answer to your question is that I like both writing series and writing standalone books. It’s lovely to write characters you already know well and introduce them to different problems and places. However I also enjoy starting from scratch and inventing new characters. I’m very lucky to be able to do both!'

I don't know about you, but she's definitely whet my appetite. If you'd like to learn more about this talented writer, you can visit her links below:

Website: jane-jesmond.com
Twitter: @authorJJesmond
Facebook: JaneJesmondAuthor
Instagram: authorjanejesmond

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Update from Leonora Ross

You might remember my interview with the lovely Leonora Ross in September - she writes contemporary women’s fiction and literary fiction.

She had been hoping to publish her third novel by now but her plans changed and she's produced a second edition of her first novel, 'Tess Has a Broken Heart' instead. 
 
It's the same story, but a bit improved and with a new cover (shown here), which she rather likes!

 
She also sent over the blurb. It's a great holiday read. You can find out more at her links below:
 
 
 
 

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Sunday, December 10, 2023

Sneaky peeky at interview with Jane Jesmond

My next author interview is with the talented Jane Jesmond who writes in the genres of crime, mystery and thriller. Now semi-retired, she splits her time between writing, travelling and enjoying her local life. 

According to the Sunday Times, she is "an original voice in crime fiction" - what an accolade! Our interview goes live on the 15th December or you can explore her links now:

Website: jane-jesmond.com
Twitter: @authorJJesmond
Facebook: JaneJesmondAuthor
Instagram: authorjanejesmond

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